![]() The title of the documentary was inspired by popular culture symbols of red and blue pills introduced in the science fiction movie “The Matrix,” in which taking a blue pill results in blissful ignorance and taking the red pill means facing the sometimes painful truth.Ī former Hollywood actress (“I got tired of playing the blonde who always got killed”), Jaye turned to documentary filmmaking as a way to make films that meant something to her. “That the film was funded by MRAs (men’s rights activists) is a common lie that keeps spreading.” “I found Kickstarter to be the only way I could maintain creative control over the film and to get the funding I needed to complete it,” she says. When that ran out, she launched a campaign on Kickstarter, the crowdfunding site the New York Times called “the people’s NEA.” She says she got “The Red Pill” off the ground with her own money as well as money from her mother, Nena Jaye, a co-producer, and her boyfriend. It’s so frustrating to keep debunking that lie over and over again.” “That’s one of the lies that’s being perpetuated to discredit me and the film. The supposedly progressive weekly went so far as to refuse to accept a paid advertisement for the film, a requirement to qualify for an Academy Award nomination. A vicious review in the Village Voice insinuated that “The Red Pill” was financed by men’s rights activists. In Melbourne, Australia, for example, a feminist petition decrying “The Red Pill” as “a misogynistic propaganda film” succeeded in getting a screening canceled there. “Feminist academicians are threatened by that kind of dialogue,” she says. They’re livid that the 30-year-old San Anselmo resident would have the audacity to present evidence that challenges their condemnation of men’s rights organizations as misogynist hate-groups infested with “rape apologists.” And many of her former sisters in the women’s movement may never forgive her for it. By the time she finished the documentary, which screens Sunday at the Rafael Film Center, she could no longer in good conscience call herself that. When Marin filmmaker Cassie Jaye began working on her new documentary, “The Red Pill,” believed to be the first ever film on the men’s rights movement, she considered herself a feminist. Bay Area filmmaker’s new film, ‘The Red Pill,’ is a bitter one for feminists to swallow
0 Comments
Leave a Reply. |